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The 10-episode series is based on Hugh Howey’s New York Times bestselling trilogy of dystopian novels. The show is also vaguely reminiscent of Snowpiercer, where surviving humans are similarly confined to an oppressive space to protect them from the inhospitable environment. Unsurprisingly, things aren't always as they seem, and the trailer hints at a game-changing twist that will upend society as the survivors know it. The outside world is apparently toxic, and the rules that people live by in the silo are supposed to protect them. However, no one knows when or why the silo was built and any who try to find out face fatal consequences.

Silo's trailer sets the premise for a bleak future, where the last 10,000 humans on earth live in a massive subterranean silo a mile deep in the earth. “As I told Hugh, I said, ‘I just want everyone who watches this show to read the books AFTER they finish watching the show.Silo is Apple's new post-apocalyptic sci-fi epic, and it's teeming with mysteryĪpple TV+ has a new post-apocalyptic sci-fi drama, and it is already overflowing with mystery. He hopes fans will also turn to the books it is based on - with one request. He hopes to be rewarded with a second, third and fourth season to flush out this underground world. And that’s the kind of hero we like to write about.” “We love the idea of the reluctant hero,” says Yost.

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When audiences first meet Juliette, she is the chief engineer at the bottom keeping the generator running - “She pretty much keeps everyone in the silo alive,” an admirer says - and then events send her up to the top of the structure, where the bureaucrats and leaders are. There is a grit and dirt, dim lighting and a grand curling staircase that connects the 144 concrete levels, with farming in the middle and working-class laborers in the bottom. The look of life in the silo is carefully made, with most items made of metal and plastic, since growing trees for wood underground is hard. “It’s a story being built up around a world where you don’t have to automatically see it through the lens of the character who’s going to pull you through it.

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There have been previous attempts to get Howey’s books onto the big screen, but Yost thinks a 10-hour TV series is the best, including echoing the book by having Juliette only show up in the last few minutes of the first episode and take over. There’s something wrong and that battle between the truth and order is something that will play out over the whole series,” says Yost. “While life in the silo isn’t terrible, it’s not great. Anyone questioning the system is expelled - sent out into what seems to be a wasteland where everyone inside watches them crumple and die within minutes. The people inside the silo are told that outside has become a wasteland and so they’ve formed a system of government that can charitably called a soft dictatorship, like East Germany in the 1980s.

The series contains two opposite philosophic ideas - that mankind is good and it is society that makes it bad, and that men and women are born fundamentally bad and society tames them. Coins are square, suicide is a crime, and no one knows what a Pez dispenser is - a so-called relic of the before times and so illegal to own. There are familiar things - tattoo artists, cops complaining about paperwork and ice trays - but also some different notes. This is world-building that slowly reveals itself. It’ll be chaos,” says the actor, know for “Dune” and the “Mission: Impossible” films.īased on Hugh Howey’s bestselling trilogy, “Silo” also stars Tim Robbins, Common, David Oyelowo, Rashida Jones and Will Patton. “If you and I right now have to be stuck in a silo and we have to evolve and survive, what would happen? It’s sort of ‘Lord of the Flies’-meets-Greta Thunberg-meets-the people who question the status quo.